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I will continue to revert revisions that these people are doing incessantly if edits that are factual are removed. () 18:52, 18 October 2012 (UTC) Revisions Why are people removing revisions on this page for no apparent reason? I believe it's PR people going rampant. Because a page already exists at the target title), please follow the instructions at to have it moved by someone else.Īlso, if there are any other pages that you moved by copying and pasting, even if it was a long time ago, please list them. If you cannot perform a particular page move yourself this way (e.g.

This both preserves the page history intact and automatically creates a from the old title to the new. In most cases, once your account is four days old and has ten edits, you should be able to move an article yourself using the at the top of the page.

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Instead, the software used by Wikipedia has a feature that allows pages to be moved to a new title together with their edit history. This is known as a ' move', and it is undesirable because it splits the, which is needed for attribution and various other purposes. It appears that you recently tried to give a different title by copying its content and pasting either the same content, or an edited version of it, into.

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This journey through the concrete jungle of Compton is worth taking because of the artistic richness within, plus the attraction of a whip-smart rapper flying high during his rookie season.

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Soul children will experience déjà vu when "Poetic Justice" slides by with its Janet Jackson sample - sounding like it came off his Aunt's VHS copy of the movie it's named after - while the closing "Compton" is an anthem sure to make the Game jealous, featuring Dre in beast mode, acting pre- Chronic and pre-Death Row. Equally heavy is the cautionary tale of drank dubbed "Swimming Pools," yet that highlight is as hooky and hallucinatory as most Houston drank anthems, and breaks off into one of the chilling, cassette-quality interludes that connect the album, adding to the documentary or eavesdropping quality of it all.

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Still, when he realizes that hero Jeezy must have risen above the game - because the real playas are damned and never show their faces - it spawns a kind of elevated gangsta rap that's as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track "The Art of Peer Pressure" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy's debut album, it's something Clash, Public Enemy, and all other rebel music fans can relate to. He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. It is what makes this kid so "good" as he navigates his "mad" city (Compton) with experience and wisdom beyond his years (25). Here, Kendrick is living his life like status and cash were extra credit. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests ( Drake, Dr.

Dre, and the "biggest debut since Illmatic" stuff starts to flow, but Good Kid, M.A.A.D. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr.

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A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the "true hip-hop" set, setting the stage for a massive fourth and final. Hip-hop debuts don't come much more "highly anticipated" than Kendrick Lamar's.